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dc.contributor.advisorSander, Reinhard.
dc.contributor.authorGrant, Norman
dc.date.accessioned2021-02-13T01:49:56Z
dc.date.available2021-02-13T01:49:56Z
dc.date.issued2020-12-20
dc.identifier.urihttps://hdl.handle.net/11721/2297
dc.description.abstractDocumentaries on the Grenadian Revolution are numerous. They are/were mostly produced by independent filmmakers from Grenada, the United States, Britain, and France. At present, some are unavailable to researchers. Most commemorate the brilliance of Maurice Bishop, and secondarily praise the efforts of the micro-nation. Some document the invasion by the United States. Independent filmmakers employ a variety of methods and modes to tell their stories from Cinéma Vérité, Direct Cinema and other techniques such as reenactments to animation. Most use contemporary ambient footage, historical footage, photos, and archival footage when available. Music plays a great part in most of the independent documentaries. A narrative method is employed by most directors, and the documentaries are chronological for the most part. The narrative usually begins with a description of a corrupt dictator, an idealist youthful emerging hero, and a celebratory and a hopeful population who embrace the revolution. It continues and almost immediately the People’s Revolutionary Government (PRG) is met with resistance from the United States because of its ties to Cuba. The PRG feels the pressure while it tries to build alliances outside of the capitalist First World. This proves difficult and inside the government, the Central Committee begins to fracture. Internal turmoil ensues and the revolution quickly descends to an almost inevitable collapse and end. Most of the documentaries take a neutral to positive view of the revolution at its beginning. The Coup was relatively bloodless, only two people were killed on March 13, 1979. Four years later on October 19, 1983, Maurice Bishop and seven cabinet members were executed in Fort Rupert above St. George’s. How the Central Committee made decisions have been speculated about to this day. Most of the documentarians were unable to penetrate the Central Committee and hear their side of the story. However, more than one documentary captures significant footage from October 19, 1983 and is available for viewing. This study hopes to highlight how documentaries are sometimes primary source documents, as well as evidence of events in some cases, and hence contribute to history.en_US
dc.language.isoenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectDocumentales--Granadaen_US
dc.subjectGranada--Historia--1974-1983en_US
dc.subjectGranada--Historia--Invasión estadounidense, 1983en_US
dc.subjectNew Jewel Movement Grenadaen_US
dc.subjectGrenada Revolutionen_US
dc.subjectPeople’s Revolutionary Governmenten_US
dc.subjectMaurice Bishopen_US
dc.subjectBernard Coarden_US
dc.subjectDesmimma Williamsen_US
dc.subjectFort Ruperten_US
dc.subjectOperation Urgent Furyen_US
dc.subject.lcshDocumentary films--Grenada
dc.subject.lcshGrenada--History--1974--1983
dc.subject.lcshGrenada--History--American invasion, 1983
dc.subject.lcshNew Jewel Movement (Grenada)
dc.titleThrough the lens : how documentary film on the Revolution in Grenada contributes to history.en_US
dc.title.alternativeHow documentary film on the Revolution in Grenada contributes to historyen_US
dc.typeDissertationen_US
dc.rights.holderNorman Granten_US
dc.contributor.committeeRivas, Alfredo E.
dc.contributor.committeeKuwabong, Dannabang.
dc.contributor.campusUniversity of Puerto Rico, Río Piedras Campusen_US
dc.description.graduationSemesterFall (1st Semester)en_US
dc.description.graduationYear2020en_US
thesis.degree.disciplineEnglishen_US
thesis.degree.levelPh.D.en_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
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